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Naples : The Sensual City
Concertos for recorder, baroque flute and string ensemble by Durante, Fiorenza, Scarlatti and Pergolesi
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In collaboration with the Arte Musica Foundation in complement of the Pompei exhibition of the Montreal Museum of Fine Arts
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Friday February 19th 2015 6:30 PM
The Bourgie Hall of The Montreal Museum of Fine Arts
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The instrumental music written in Naples in the first half of the 18th century is not well known. Our ears have been charmed far more frequently by music from this period written by masters from northern Italy, and by Vivaldi in particular. Naple’s great importance in the world of opera has been known for a long time, but its composers also wrote concertos. These combine both vocalità, of which they were masters, with precise counterpoint, which would sound archaic if was not also unique in its harmonic sensuality. In some of these concertos, the cello has expressive lines fully worthy of its voice, while the recorder experiences some of the last high points of its entire repertoire.
Artists
Les Boréades
Direction Francis Colpron
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- Francis Colpron, recorder and baroque flute
- Femke Bergsma, recorder
- Olivier Brault, baroque violin
- Tania LaPerrière, baroque violin
- Jacques-André Houle, baroque viola
- Mélisande Corriveau, baroque cello
- Pierre Cartier, double bass
- Mark Edwards, harpsichord
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Program
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- Francesco Durante (1684-1755)
Concerto for strings and basso continuo nº 7 in C major (manus., circa 1740) - Giovanni Battista Pergolesi (1710-1736)
Concerto for flute, strings and basso continuo in G major (manus., s.d.) - Francesco Durante
Concerto for strings and basso continuo nº 4 in e minor (manus., circa 1740) - Nicola Fiorenza (v.1700-1764)
Concerto for recorder, strings and basso continuo in a minor (manus., 1726) - Alessandro Scarlatti (1660-1725)
Sinfonia di concerto grosso nº 5 for two recorders, strings and basso continuo in d minor (manus., 1715)
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Tickets
Tickets on sale at the Bourgie Hall Ticketing
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Exerpts
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