{"id":24478,"date":"2021-09-29T16:25:00","date_gmt":"2021-09-29T20:25:00","guid":{"rendered":"https:\/\/www.boreades.com\/2021-2022-season\/percees-dans-le-grave\/"},"modified":"2022-02-03T16:10:25","modified_gmt":"2022-02-03T21:10:25","slug":"percees-dans-le-grave","status":"publish","type":"page","link":"https:\/\/www.boreades.com\/en\/2021-2022-season\/percees-dans-le-grave\/","title":{"rendered":"Perc\u00e9es dans le grave"},"content":{"rendered":"<p>[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column]\n\t\t\t\t<p class=\"rs-p-wp-fix\"><\/p>\n\t\t\t\t<sr7-module data-alias=\"percees-dans-le-grave\" data-id=\"22\" id=\"SR7_22_1\" class=\"rs-ov-hidden\" data-version=\"6.7.55\">\n\t\t\t\t\t<sr7-adjuster><\/sr7-adjuster>\n\t\t\t\t\t<sr7-content>\n\t\t\t\t\t\t<sr7-slide id=\"SR7_22_1-62\" data-key=\"62\">\n\t\t\t\t\t\t\t<sr7-txt id=\"SR7_22_1-62-1\" class=\"sr7-layer\">GRAVE<\/sr7-txt>\n\t\t\t\t\t\t\t<sr7-txt id=\"SR7_22_1-62-3\" class=\"sr7-layer\">PERC\u00c9ES DANS LE<\/sr7-txt>\n\t\t\t\t\t\t\t<sr7-txt id=\"SR7_22_1-62-4\" class=\"sr7-layer\">FEBRUARY 24 2022, 7:30 P.M<\/sr7-txt>\n\t\t\t\t\t\t\t<sr7-txt id=\"SR7_22_1-62-5\" class=\"sr7-layer\">PERC\u00c9ES DANS LE<\/sr7-txt>\n\t\t\t\t\t\t\t<sr7-txt id=\"SR7_22_1-62-6\" class=\"sr7-layer\">GRAVE<\/sr7-txt>\n\t\t\t\t\t\t\t<sr7-txt id=\"SR7_22_1-62-7\" class=\"sr7-layer\">FEBRUARY 24 2022, 7:30 P.M<\/sr7-txt>\n\t\t\t\t\t\t<\/sr7-slide>\n\t\t\t\t\t\t<sr7-slide id=\"SR7_22_1-231\" data-key=\"231\">\n\t\t\t\t\t\t<\/sr7-slide>\n\t\t\t\t\t<\/sr7-content>\n\t\t\t\t\t<image_lists style=\"display:none\">\n\t\t\t\t\t\t<img data-src=\"\/\/www.boreades.com\/wp-content\/uploads\/2021\/09\/boreades-saison-2021-2022-GRAVE.png\" data-libid=\"24306\" data-lib=\"medialibrary\" title=\"boreades-saison-2021-2022-GRAVE\" width=\"0\" height=\"0\" data-dbsrc=\"Ly93d3cuYm9yZWFkZXMuY29tL3dwLWNvbnRlbnQvdXBsb2Fkcy8yMDIxLzA5L2JvcmVhZGVzLXNhaXNvbi0yMDIxLTIwMjItR1JBVkUucG5n\"\/>\n\t\t\t\t\t<\/image_lists>\n\t\t\t\t<\/sr7-module>\n\t\t\t\t<script>\n\t\t\t\t\twindow.SR7 ??={};SR7.PMH ??={}; SR7.PMH[\"SR7_22_1\"] = {cn:100,state:false,fn: function() { if (window._tpt!==undefined && window._tpt.prepareModuleHeight !== undefined) {  _tpt.prepareModuleHeight({id:\"SR7_22_1\",el:[900,900,768,960,720],type:'standard',shdw:'0',gh:[900,900,743,565,349],gw:[1240,1240,1024,778,480],vpt:['-200px'],size:{fullWidth:true, fullHeight:true},fho:',10%',mh:'0',onh:0,onw:0,bg:{color:'{\"orig\":\"transparent\",\"type\":\"solid\",\"string\":\"transparent\"}'}});   SR7.PMH[\"SR7_22_1\"].state=true;} else if(SR7.PMH[\"SR7_22_1\"].cn-->0)\tsetTimeout( SR7.PMH[\"SR7_22_1\"].fn,19);}};SR7.PMH[\"SR7_22_1\" ].fn();\n\t\t\t\t<\/script>\n[\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; padding_top=&#8221;64&#8243; padding_bottom=&#8221;64&#8243; background_color=&#8221;#ffffff&#8221;][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h1><span style=\"color: #ff0000;\">Canceled<\/span><\/h1>\n<p><span style=\"color: #ff0000;\"><u><a style=\"color: #ff0000;\" href=\"https:\/\/www.boreades.com\/une-annulation-et-une-surprise\/\">Read more<\/a><\/u><\/span>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<h1>Perc\u00e9es dans le grave<\/h1>\n<h3>Flute duets from the classical period<\/h3>\n<p style=\"text-align: left;\">[vc_separator type=&#8217;transparent&#8217; position=&#8217;left&#8217; color=&#8221; thickness=&#8217;5&#8242; up=&#8221; down=&#8221;]<\/p>\n<h5>Works by W. F. Bach and Kuhlau<br \/>\nAlexa Raine-Wright and Francis Colpron, trversos<\/h5>\n<p>The traverso, intimate and sensitive, enjoyed great popularity in the 18th century. Some criticized its imprecise tuning and unequal sonorities, but composers knew how to cleverly take advantage of these \u2018defects\u2019\u2026 Flute-making technique evolved continually. By the middle of the century, traversos had keys that served to increase the volume and clarity of their low notes, thus enabling flutists to hold their own when accompanied. The most ambitious works written for traverso were, without a doubt, Wilhelm Friedemann Bach\u2019s Six Duets for Two Flutes; in their complexity and near-Romantic ferocity of expression they are astonishing.[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_empty_space][icon_text box_type=&#8221;normal&#8221; icon=&#8221;fa-calendar&#8221; icon_type=&#8221;normal&#8221; icon_position=&#8221;left_from_title&#8221; icon_size=&#8221;fa-lg&#8221; use_custom_icon_size=&#8221;no&#8221; title_tag=&#8221;h5&#8243; separator=&#8221;no&#8221; separator_top_margin=&#8221;0&#8243; separator_bottom_margin=&#8221;0&#8243; title=&#8221;Thursday February 24 2022, 7:30 p.m&#8221; icon_color=&#8221;#7d9dce&#8221;][qode_advanced_pricing_list pricing_items=&#8221;%5B%7B%22item_title%22%3A%22Regular%22%2C%22item_price%22%3A%2240%24%22%7D%2C%7B%22item_title%22%3A%22Senior%22%2C%22item_price%22%3A%2235%24%22%7D%2C%7B%22item_title%22%3A%2230%20%20years%20and%20younger%22%2C%22item_price%22%3A%2215%24%22%7D%5D&#8221; list_title_tag=&#8221;h5&#8243; line_style=&#8221;dashed&#8221; item_title_tag=&#8221;p&#8221; list_title=&#8221;Billetterie&#8221; line_color=&#8221;#000000&#8243;][vc_column_text]<\/p>\n<p style=\"padding-left: 40px;\"><em>On sale at the Eventbrite box office<br \/>\nTaxes and fees included<\/em><\/p>\n<p>[\/vc_column_text][vc_empty_space]<div  class=\"tatsu-module tatsu-normal-button tatsu-button-wrap align-block block-  tatsu-ifgtuy1mtyffoubo   \"><a class=\"tatsu-shortcode smallbtn tatsu-button left-icon    bg-animation-none  \" href=\"#\" style= \"\" data-animation=\"fadeIn\"   aria-label=\"\" data-gdpr-atts={} ><i class=\"tatsu-icon fa-ticket\"><\/i><\/a><style>.tatsu-ifgtuy1mtyffoubo .tatsu-button{color: #ffffff ;border-color: #759ed3; }.tatsu-ifgtuy1mtyffoubo .tatsu-button:hover{color: #ffffff ;border-color: #759ed3; }<\/style><\/div>[vc_empty_space][icon_text box_type=&#8221;normal&#8221; icon=&#8221;fa-map-marker&#8221; icon_type=&#8221;normal&#8221; icon_position=&#8221;left_from_title&#8221; icon_size=&#8221;fa-lg&#8221; use_custom_icon_size=&#8221;no&#8221; title_tag=&#8221;h5&#8243; separator=&#8221;no&#8221; title=&#8221;Address&#8221; icon_color=&#8221;#7d9dce&#8221;][vc_column_text css=&#8221;.vc_custom_1632602233419{margin-top: -35px !important;border-top-width: -35px !important;padding-top: -35px !important;}&#8221;]<\/p>\n<p style=\"padding-left: 40px;\"><u><a href=\"https:\/\/goo.gl\/maps\/NApqUwmqC1Uz3HmH9\" target=\"_blank\" rel=\"noopener noreferrer\">Chapelle Saint-Louis<\/a><\/u><br \/>\n<span class=\"section-info-text\"><span class=\"widget-pane-link\">4230 Rue Drolet, Montr\u00e9al<br \/>\nQC H2W 2L6<\/span><\/span><\/p>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; background_color=&#8221;#dee7f1&#8243; padding_top=&#8221;64&#8243; padding_bottom=&#8221;16&#8243;][vc_column css_animation=&#8221;none&#8221; width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;24369&#8243; img_size=&#8221;500&#215;500&#8243; alignment=&#8221;center&#8221; onclick=&#8221;custom_link&#8221; img_link_target=&#8221;_blank&#8221; qode_css_animation=&#8221;&#8221; qode_hover_animation=&#8221;zoom_in&#8221; link=&#8221;http:\/\/www.alexarainewright.com\/about.html&#8221;][vc_empty_space][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h2>Alexa Raine-Wright<\/h2>\n<h5>Traverso<\/h5>\n<p>Known for her spirited and luminous sound, Baroque flute and recorder player Alexa Raine-Wright shares her eloquent interpretations with audiences across North America in solo, chamber and orchestral performances. Born in Ithaca, NY (USA), Alexa maintains an active career based in Montreal, QC (Canada).<\/p>\n<p>Winner of several national and international competitions, Alexa was most recently awarded the Grand Prize as well as the Indianapolis Baroque Orchestra Prize at the 2016 Indianapolis International Baroque Competition. She also won First Prize at the 2015 National Flute Association&#8217;s Baroque Flute Artist Competition (Washington, DC), Second Prize at the 2015 Mathieu-Duguay Early Music Competition (Lam\u00e8que, NB), the Most Touching Performance Award at the 2009 Montreal International Recorder Competition, and First Prize in the 2007 Piffaro Competition for Young Recorder Players (Philadelphia, PA).<\/p>\n<p>Alexa is a founding member of the ensemble Infusion Baroque, winner of the Grand Prize and Audience Prize at the 2014 Early Music America Baroque Performance Competition in Chicago. She is also a member of the celebrated recorder quartet Fl\u00fbte Alors!, and has performed with ensembles such as Arion Baroque Orchestra , Studio de musique ancienne de Montr\u00e9al, Les Bor\u00e9ades, Clavecin en concert, Apollo&#8217;s Fire, Ensemble Caprice, I Musici and the Chicago Symphony Orchestra. She has performed in music festivals across North America including the Montreal Baroque Festival, Montreal Bach Festival, Montreal Chamber Music Festival, Boston Early Music Festival, and Berkeley Festival &amp; Exhibition. Alexa can be heard on recordings with Arion Baroque Orchestra, Infusion Baroque, Fl\u00fbte Alors! and La Bande Montr\u00e9al Baroque. Her debut album, \u201cPlatti: Flute Sonatas Op. 3\u201d was released in 2019.<\/p>\n<p>Alexa is a graduate of McGill University in Montreal, where she studied with Claire Guimond (baroque flute) and Matthias Maute (recorder). She also studied with Cl\u00e9a Galhano and Barbara Kaufmann (recorder), as well as Immanuel Davis and Beth Kelly (baroque flute).<\/p>\n<p>Source: <u><a href=\"http:\/\/www.alexarainewright.com\/bio.html\" target=\"_blank\" rel=\"noopener\">alexarainewright.com<\/a><\/u>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; background_color=&#8221;#dee7f1&#8243; padding_top=&#8221;16&#8243; padding_bottom=&#8221;32&#8243;][vc_column css_animation=&#8221;none&#8221; width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;8294&#8243; img_size=&#8221;500&#215;500&#8243; alignment=&#8221;center&#8221; onclick=&#8221;custom_link&#8221; qode_css_animation=&#8221;&#8221; qode_hover_animation=&#8221;zoom_in&#8221; link=&#8221;https:\/\/www.boreades.com\/en\/artistic-director\/&#8221;][vc_empty_space][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h2>Francis Colpron<\/h2>\n<h5>Traverso<\/h5>\n<p>Recorder and traverso player Francis Colpron is recognized as one of the most talented musicians of his generation. During the past three decades, the public, critics, and cultural authorities have acclaimed his abilities to innovate as an artist and performer. In 1991, he founded the ensemble Les Bor\u00e9ades de Montr\u00e9al, of which he is the artistic director, and which puts on a very successful annual concert series in Montreal, performs in North America and Europe, and records on the ATMA Classique label.<\/p>\n<p>Les Bor\u00e9ades has performed with world-renowned artists such as Herv\u00e9 Niquet, director of the Concert Spirituel de Paris; Skip Semp\u00e9, harpsichordist and director of Capriccio Stravagante; violinists Manfred Kraemer and Adrian Butterfield; harpsichordist Alexander Weimann; conductor Eric Milnes; cornettist William Dongois; recorder player Stefano Bagliano; oboe and conductor Alfredo Bernardini as well as with tenor Charles Daniels, and Canadian singers Matthew White, Karina Gauvin, and Laura Pudwell.<\/p>\n<p>On stage, Francis Colpron, with Les Bor\u00e9ades, has explored the theatrical and musical worlds of the 17th and 18th centuries in shows such as\u00a0<em>Nicandro e Fileno<\/em>\u00a0(2017),\u00a0<em>Acis et Galat\u00e9e\u00a0<\/em>(2015),\u00a0<em>La belle danse\u00a0<\/em>(2013),\u00a0<em>Tabarinades\u00a0<\/em>(2010), and\u00a0<em>Moli\u00e8re en Musique<\/em>\u00a0(2008). He has also acted in theatrical productions for young people such as\u00a0<em>La nuit de la Patate<\/em>\u00a0(2016) and<em>\u00a0Garde-Robe<\/em>\u00a0(2007). Noteworthy collaborators with Francis Colpron have included the directors Jo\u00ebl da Sylva and Jean-Fran\u00e7ois Gagnon, and the actors Carl B\u00e9chard and Sophie Faucher.<\/p>\n<p>Francis Colpron was associate flutist with Trinity Consort of Portland from 2000 to 2009. He has been a guest soloist with groups such as Apollo\u2019s Fire of Cleveland, the Edmonton Symphony, the National Arts Centre Orchestra, Opera Atelier, Thirteen Strings, the Studio de musique ancienne de Montr\u00e9al, Les Violons du Roy, the Nova Scotia Orchestra, and L\u2019Harmonie des Saisons. As well as teaching at the Universit\u00e9 de Montr\u00e9al, he is frequently invited to share his experience as a teacher at well known summer music camps such as Amherst in the United States, CAMMAC in Quebec, and Boxwood in Nova Scotia.<\/p>\n<p>His discography consists of more than 40 recordings.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; padding_bottom=&#8221;64&#8243; background_color=&#8221;#dee7f1&#8243;][vc_column][qode_carousel carousel=&#8221;organismes-subventionnaires&#8221; number_of_visible_items=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;parallax&#8221; parallax_content_width=&#8221;full_width&#8221; text_align=&#8221;left&#8221; full_screen_section_height=&#8221;no&#8221;][vc_column][templatera id=&#8221;24474&#8243;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; padding_top=&#8221;64&#8243; padding_bottom=&#8221;64&#8243; background_color=&#8221;#ffffff&#8221;][vc_column width=&#8221;2\/3&#8243;][vc_column_text] Canceled Read more[\/vc_column_text][vc_empty_space][vc_column_text] Perc\u00e9es dans le grave Flute duets from [&hellip;]<\/p>\n<p><a href=\"https:\/\/www.boreades.com\/en\/2021-2022-season\/percees-dans-le-grave\/\" class=\"more-link style1-button\">Read More<\/a><\/p>","protected":false},"author":1,"featured_media":24344,"parent":24464,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-24478","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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