{"id":3455,"date":"2015-11-07T17:08:46","date_gmt":"2015-11-07T22:08:46","guid":{"rendered":"https:\/\/www.boreades.com\/en\/presenters\/offrande-musicale\/"},"modified":"2019-11-11T11:57:10","modified_gmt":"2019-11-11T16:57:10","slug":"musical-offering","status":"publish","type":"page","link":"https:\/\/www.boreades.com\/en\/diffuseurs\/musical-offering\/","title":{"rendered":"Musical Offering"},"content":{"rendered":"<p>[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; padding_top=&#8221;64&#8243;][vc_column width=&#8221;1\/3&#8243;][vc_column_text]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<h2>THE MUSICAL OFFERING<\/h2>\n<h3>JOHANN SEBASTIAN BACH BWV 1079<\/h3>\n<h3>PROGRAM FOR 4 MUSICIANS<\/h3>\n<p>&nbsp;<\/p>\n<h5>I. EXORDIUM*<\/h5>\n<p>Ricercar a 3<br \/>\nCanon a 2 Violini in unisono<\/p>\n<h5>II. NARRATIO<\/h5>\n<p>Canon a 2 crancrizans<br \/>\nCanon a 2 per Tonos<\/p>\n<h5>III. PROPOSITIO<\/h5>\n<p>Canon a 2 per Motum contrarium<br \/>\nCanon a 2 per Augmentationem, contrario Motu<\/p>\n<h5>IV. ARGUMENTATIO<\/h5>\n<p>Sonata Sopra il Soggetto Reale a Traversa, Violini e Continuo<br \/>\nLargo<br \/>\nAllegro<br \/>\nAndante<br \/>\nAllegro<\/p>\n<p>Ricercar a 6<br \/>\nFuga canonica in Epidiapente<br \/>\nCanon a 4<\/p>\n<h5>V. PERORATIO<\/h5>\n<p>Canon perpetuus super Thema Regium<br \/>\nCanon a 2(Quaerendo invenietis)<\/p>\n<p>Canon perpetuus<\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_separator type=&#8221;transparent&#8221; thickness=&#8221;15&#8243;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_column_text]<\/p>\n<h2>Downloads<\/h2>\n<p>&nbsp;<\/p>\n<p><div  class=\"tatsu-module tatsu-normal-button tatsu-button-wrap align-block block-  tatsu-ichy6vxp50dpo32r   \"><a class=\"tatsu-shortcode smallbtn tatsu-button left-icon    bg-animation-none  \" href=\"#\" style= \"\" data-animation=\"fadeIn\"   aria-label=\"\" data-gdpr-atts={} ><\/a><style>.tatsu-ichy6vxp50dpo32r.tatsu-normal-button{margin: 5px;}<\/style><\/div> <div  class=\"tatsu-module tatsu-normal-button tatsu-button-wrap align-block block-  tatsu-ichy6vxpemeu31bp   \"><a class=\"tatsu-shortcode smallbtn tatsu-button left-icon    bg-animation-none  \" href=\"#\" style= \"\" data-animation=\"fadeIn\"   aria-label=\"\" data-gdpr-atts={} ><\/a><style>.tatsu-ichy6vxpemeu31bp.tatsu-normal-button{margin: 5px;}<\/style><\/div>[\/vc_column_text][vc_separator type=&#8221;transparent&#8221; thickness=&#8221;15&#8243;][vc_gallery type=&#8221;flexslider_slide&#8221; interval=&#8221;3&#8243; images=&#8221;1826,1824,1827,1812,1815&#8243; img_size=&#8221;full&#8221;][vc_separator type=&#8221;transparent&#8221; thickness=&#8221;15&#8243;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_widget_sidebar sidebar_id=&#8221;Espace diffuseurs&#8221;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; padding_bottom=&#8221;64&#8243;][vc_column width=&#8221;2\/3&#8243;][vc_column_text]* Les Bor\u00e9ades has arranged the order in which the parts are played according to the hypothesis that Bach arranged them to follow the stages of rhetorical art as articulated by Quintilian.<\/p>\n<p>Opinions are far from unanimous as to how the 13 elements [of\u00a0<em>The Musical Offering<\/em>], of diverse length and form, should be arranged. [\u2026] Rather than obeying the rules of symmetry, an arrangement of this type seems to follow from the application of a traditional principle of the\u00a0<em>art of rhetoric<\/em>. By reasoning in these terms, a hypothesis \u2014 one that is as suggestive as it is convincing \u2014 has been recently formulated whereby the\u00a0<em>Musical Offering<\/em>\u00a0reproduces the oratorical schema established in Quintilian\u2019s\u00a0<em>Institutio oratoria<\/em>. Bach certainly knew this text, and his friend Johann Matthias Gesner, former rector of the Thomasschule, had published an excellent commentary on it in 1738. [Thus there would have been] a perfect correspondence between the sequencing of the parts as specified by Bach and the structure fixed by Quintilian. By eliminating the less important elements, the general schema of the\u00a0<em>Musical Offering<\/em>\u00a0can be mapped to the essential points of the\u00a0<em>Oratio<\/em>\u00a0as established by Quintilian, a disciple of Cicero.<\/p>\n<p>Alberto Basso,<br \/>\n<em>La vita e le opere di J. S. Bach,\u00a0<\/em>1979-1983[\/vc_column_text][vc_separator type=&#8221;transparent&#8221; thickness=&#8221;30&#8243;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][templatera id=&#8221;14642&#8243;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; padding_top=&#8221;64&#8243;][vc_column width=&#8221;1\/3&#8243;][vc_column_text] THE MUSICAL OFFERING JOHANN SEBASTIAN BACH BWV 1079 PROGRAM FOR 4 MUSICIANS &nbsp; I. EXORDIUM* Ricercar a 3 Canon [&hellip;]<\/p>\n<p><a href=\"https:\/\/www.boreades.com\/en\/diffuseurs\/musical-offering\/\" class=\"more-link style1-button\">Read More<\/a><\/p>","protected":false},"author":5,"featured_media":0,"parent":3420,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-3455","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Musical Offering - Les Bor\u00e9ades de Montr\u00e9al<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.boreades.com\/en\/diffuseurs\/musical-offering\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Musical Offering - Les Bor\u00e9ades de Montr\u00e9al\" \/>\n<meta property=\"og:description\" content=\"[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; padding_top=&#8221;64&#8243;][vc_column width=&#8221;1\/3&#8243;][vc_column_text] THE MUSICAL OFFERING JOHANN SEBASTIAN BACH BWV 1079 PROGRAM FOR 4 MUSICIANS &nbsp; I. 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