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Tue 30
Wed 31

Tous pour trois

31 July @ 13 h 00

 Les Boréades’ Blog

Les actualités baroques décomplexées

My dear music-loving friends, As we do every spring, we ask for your help in order to continue presenting you with artistic projects that meet our ambitions. Private revenue from your donations and sponsorship represents 10% of our annual budget, and is essential to keep......

En conclusion de notre 23e saison, les Boréades et le Choeur Saint-Laurent ont présenté les Cantates 67, 102, 117 et 123 à la Salle Bourgie dans le cadre de l’intégrale des Cantates de la Fondation Arte Musica. Ce concet a mis à l’avant-scène de talent des chanteurs Marjorie......

Le public a eu droit à un grand moment de musique lors de la rencontre entre l’hautboïste baroque Alferdo Bernardini et les Boréades. Le photographe Pierre Markon a eu l’occasion d’assister à la répétition générale de ce concert et nous offre quelques superbes souvenirs photos....

2019 Fundraising

Donations so far0%
Francis Colpron
Artistic director

Artistic Director’s Note

2019-2020 Season

Another magnificent season is here… As always, Les Boréades selected four very different concerts out of the vast repertoire from the XVIIth and XVIIIth century. As a tribute to our love of fine dining, a series of culinary names now represent different types of performances. The Ratatouille and Minestrone categories reference the French and Italian repertoire respectively, while Strudel and Banquet designate the classical repertoire for the first, and large scale projects for the second. The Mignardises series exclusively promotes the virtuoso capacities of the members of the ensemble, no matter the repertoire. Each one of them can thus propose pieces and share newly discovered favourites, accompanied by some of their colleagues.

We hope to see you amongst us!

Francis Colpro

Les Boréades de Montréal

Francis Colpron, Artistic director and founder

Who are les Boréades?

Founded by Francis Colpron in 1991, Les Boréades de Montréal focuses on early music. The ensemble has chosen an interpretative approach in keeping with the spirit of the Baroque era, by adhering to the rules of performance practice of the past and playing on period instruments. Critics and audiences alike in Canada and abroad have been unanimous in hailing the group’s energy and spontaneity as well as its theatrical, expressive and elegant playing, indicative of a unique flair for Baroque aesthetics.